When strong winds sent embers flying toward the southern Oregon towns of Talent and Phoenix last September, state fire resources were already stretched thin. A limited number of firefighters faced flames that would soon consume entire neighborhoods.
For photographer Alisha Jucevic, the Almeda Fire was personal. Jucevic went to high school in Ashland, where the blaze began. Her brother pumped water from a nearby creek to protect his house from the flames; her sister lost property she owned and rented out. What started as a breaking news assignment for The New York Times in the wake of the fire morphed into a yearlong project documenting how communities are rebuilding, long after national media attention faded. “It didn’t feel right to just stop following it,” Jucevic said. “I still wanted to go back.”
Her photos chronicle divergent paths to recovery. The fire displaced thousands of people, particularly low-income families, migrant workers and members of the Latino community, who were already struggling with the area’s housing shortage. But, with help, many families have since managed to find a new place to stay. Jucevic captured what regrowth looks like, from meeting new neighbors to graduating from high school. While the sadness lingers and many families still search for housing, Jucevic said, “It was amazing seeing the resiliency of these families through all of this, just how much hope there is for rebuilding and for the future.” – Kylie Mohr is an editorial intern for High Country News writing from Montana.












This photo essay was supported in part by a 2020Yunghi Grant.
Alisha Jucevic is a freelance photographer currently based in Portland, Oregon. With a background in community newspapers, Jucevic hopes her work can help people find compassion and understanding for others.
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This article appeared in the print edition of the magazine with the headline The aftermath of wildfire.

