The first thing I will do: make myself indecipherable 
to you, for understanding 
revises a kind of hunger. 

My language has taken on 
all manner of smog. I 
come to fear: 

I come to fear the things 
that inspire me 
in the wake of our destroyers.

I dream of my dead 
peers. I see how they do not want pretty 
things. I know they do not want me to describe pain 

of any kind. They gesture 
to the gold dredges 
hinging into the earth,

they sink down as permafrost thaws,
as we all slink 
down into a kind of hell. 

Let us wash ourselves in those waters.
Let us thirst because we cannot drink them. 
Let our mothers tell us of their girlhoods:

the ones they lost when they rolled willow 
leaves tight in toilet paper:
smoked not to get high, not to die, 

but only to see visions of Mary,
that Mary, who was some kind
of mother. 

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This article appeared in the July 2026 print edition of the magazine with the headline “Apparitional.”

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Joan Naviyuk Kane’s poetry collections include The Cormorant Hunter’s Wife, Hyperboreal, Milk Black Carbon, and Dark Traffic. A 2025 USA Fellow, she recently co-edited Circumpolar Connections: Creative Indigenous Geographies of the Arctic.