Art

All fracked up: A debut memoir wrestles with toxic masculinity in the oil fields
All fracked up: A debut memoir wrestles with toxic masculinity in the oil fields
Michael Patrick F. Smith’s ‘The Good Hand’ offers sharp observations on North Dakota’s extraction industry.
The alternatives to Instagram-ready desert art
The alternatives to Instagram-ready desert art
Popular installations often frame the desert as austere and inhospitable. But there are artists who look at the land differently.
‘Wild Indian’ is much more than just an Indigenous film
‘Wild Indian’ is much more than just an Indigenous film
Lyle Mitchell Corbine Jr.’s new picture pushes Indigenous cinema into the realm of the thriller genre, but does it go far enough?
See HCN’s best illustrations from 2020
See HCN’s best illustrations from 2020
Artists elevated our journalism with surprising aesthetics and creativity.
How suspected fake Indigenous art wound up in a Wyoming museum
How suspected fake Indigenous art wound up in a Wyoming museum
Questions of authenticity and provenance surround artwork that traveled from East Texas to rural Wyoming.
Finding Indigenous futurism through dance
Finding Indigenous futurism through dance
A Santa Fe-based contemporary dance company makes reciprocity and community-building part of its performances.
Unraveling the mystery of a stolen ceremonial shield
Unraveling the mystery of a stolen ceremonial shield
How a sacred object from the Pueblo of Acoma turned up at a Paris auction house, and how the tribe fought for its return.
A Seattle tattoo artist turns to essential work: transporting the dead
A Seattle tattoo artist turns to essential work: transporting the dead
After her shop closed, Jessica Henry found a way to be of service during the pandemic helping others with life’s passing.
‘Love and Fury’ documents Indigenous artists at the vanguard
‘Love and Fury’ documents Indigenous artists at the vanguard
Sterlin Harjo’s latest film is a fascinating glimpse inside the minds of various Indigenous artists around the nation.
‘Being in the middle of a story is a really hard place’
‘Being in the middle of a story is a really hard place’
Rebecca Solnit on disasters, hope and the chance to reshape the future.
The ‘Aila Test’ evaluates representation of Indigenous women in media
The ‘Aila Test’ evaluates representation of Indigenous women in media
Ali Nahdee is the creator of the test, a series of three questions modeled off the Bechdel Test.
5 films to Indigenize your watch-at-home movie list
5 films to Indigenize your watch-at-home movie list
Searching for fresh entertainment during the pandemic? Try these Indigenous-centered movies.
Colonial Spain tried to erase them, but the Genízaro persevere
Colonial Spain tried to erase them, but the Genízaro persevere
A photographer captures the fortitude of the Genízaro Pueblo of Abiquiú community.
Stolen lands and living stories: A photographer reimagines reality
Stolen lands and living stories: A photographer reimagines reality
Jeremy Dennis confronts historical narratives by composing digital illustrations.
A familiar ring: Hell’s Belles keep fans coming back
A familiar ring: Hell’s Belles keep fans coming back
After two decades of rock, the Seattle-born tribute band can still pack the house.
Art and journalism combine to create a more empathetic West
Art and journalism combine to create a more empathetic West
Writer-editor-illustrator Sarah Gilman talks about her latest project for High Country News.
The poet on the garbage crew
The poet on the garbage crew
In ‘Vantage,’ Taneum Bambrick digs for refuse along the Columbia River.
How an Indigenous filmmaker is challenging narratives and boundaries
How an Indigenous filmmaker is challenging narratives and boundaries
Adam Piron’s film collective, COUSIN, pushes the needle in the Indigenous film ecosystem.
Indigenous zines elevate authenticity
Indigenous zines elevate authenticity
The craft’s lack of limitation allows for powerful storytelling.
How Andy Warhol painted the West
How Andy Warhol painted the West
The artist challenged ideas of masculinity but fell short of addressing racism.
Not all Indigenous cinema needs to be serious
Not all Indigenous cinema needs to be serious
‘The Incredible 25th Year of Mitzi Bearclaw’ is an entertaining tale about a millennial Indigenous woman returning home.
Beads are easier to connect than family
Beads are easier to connect than family
In Beth Piatote’s first short-story collection, a niece learns beading and other lessons.
Native nonfiction authors experiment with form in new anthology
Native nonfiction authors experiment with form in new anthology
In a collection of essays, writers defy expectations and examine place.
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